Resurrection(2025)

Anthony Gonzalez (M83) flew to Chongqing, sampled cranked music-boxes, Chongqing rain on tin roofs, and 35 mm projector chatter, then fused them into synth-washed lullabies that diegetic projector noise later drowns out—soundtrack as dream erosion.

Crew could only roll once every twilight (continuity of street-lights and neon) using DJI Ronin 4D; if a single extra looked at camera or a bulb flickered they scrapped the night and went home. Final print uses Take 11—you can still spot a real pedestrian who briefly stares, left in because Bi Gan liked the meta-breach of dream logic.