The Last Samurai(2003)

Plot Summary

• Former U.S. Army Captain Nathan Algren (Tom Cruise), a bitter alcoholic traumatized by the atrocities he committed during the American Indian Wars, is approached by his former commanding officer Colonel Bagley (Tony Goldwyn) to train the newly created Imperial Japanese Army for a forward-thinking Japanese businessman Omura (Masato Harada) (an industrialist and pro-reform politician who dislikes the old samurai and shogun-related lifestyle. He quickly imports westernization and modernization while making money for himself through his railroads.Coming from a merchant family that was like many repressed during the days of Samurai rule and the cause for his extreme dislike for their nobility, he assumes a great deal of power during the Meiji Restoration and takes advantages of Meiji's youth to become his chief advisor (wielding power similar to those of the Shoguns)), who intends to use the army to suppress a Samurai-headed rebellion against Japan's new emperor Meiji (Shichinosuke Nakamura) (Credited with the implementation of the 1868 Meiji Restoration, the Emperor is eager to import Western ideas and practices to modernize and empower Japan to become a strong nation).Despite his hatred of Bagley (Algren dislikes Bagley for his role in the Washita River massacre of the Native Americans that Algren cannot get over) for his role in the Indian Wars, an impoverished Algren takes the job for the money, and is accompanied to Japan by his old friend, Sergeant Zebulon Gant. Upon arriving, Algren meets Simon Graham (Timothy Spall), a British translator knowledgeable about the samurai.Algren finds the Imperial soldiers are actually conscripted peasants that have no knowledge of firearms or battle. Early in their training, Algren is informed that the samurai are attacking one of Omura's railroads; Omura sends the army there, despite Algren's protests that they are not ready. The battle is a disaster; the undisciplined conscripts are routed, and Gant is killed. Algren fights to the last before he is surrounded; expecting to die, he is taken prisoner when samurai leader Katsumoto (Ken Watanabe) (a warrior-poet who was once Emperor Meiji's most trusted teacher.He is displeased with Mr. Omura's bureaucratic reform policies which leads him into organizing a revolt against the Imperial Army) decides to spare him. Algren is taken to Katsumoto's village to live among his family. While he is poorly treated at first, he eventually gains the samurai's respect and actually becomes friends with Katsumoto. Algren overcomes his alcoholism and guilt and learns the Japanese language and culture. He develops sympathy for the samurai, who are upset that the pace of modern technology has eroded the traditions of their society. Algren and Taka (Koyuki Kato), Katsumoto's sister and the widow of a samurai killed by Algren, develop an unspoken affection for each other.One night, a group of ninjas infiltrate the village and attempt to assassinate Katsumoto. Algren saves Katsumoto's life, and then helps defend the village. Katsumoto requests a meeting with Emperor Meiji and is given safe passage to Tokyo. He brings Algren, intending to release him. Upon arriving in Tokyo, Algren finds the Imperial Army is now a well-trained and fully equipped fighting force. Katsumoto, to his dismay, discovers that the young and inexperienced Emperor has essentially become a puppet of Omura. At a government meeting, Omura orders Katsumoto's arrest for carrying a sword in public and asks him to perform Seppuku to redeem his honor.Algren refuses Omura's offer to lead the new army to crush the rebels, due to his sympathy. Omura sends assassins to kill Algren, but Algren kills them. Algren assists the samurai in freeing Katsumoto; in the process, Katsumoto's son Nobutada (Shin Koyamada) (Katsumoto's son who is lord of the village in which the Samurai are encamped. Nobutada befriends Algren. Katsumoto, the samurai lord, advises Nobutada to teach Algren in the Japanese way - Japanese culture and Japanese language) is mortally wounded, sacrificing himself to allow the others to escape.As the Imperial Army marches to crush the rebellion, a grieving Katsumoto contemplates Seppuku, but Algren convinces him to fight until the end, and joins the samurai in battle. The samurai use the Imperial Army's overconfidence to lure them into a trap and deprive them of artillery support. The ensuing battle inflicts massive casualties on both sides and forces the Imperial soldiers to retreat. Knowing that Imperial reinforcements are coming, and defeat is inevitable, Katsumoto orders a suicidal cavalry charge on horseback. During the charge, the samurai break through Bagley's line. Bagley is killed by Algren, but the samurai are quickly mowed down by Gatling guns. The Imperial captain, previously trained by Algren and horrified by the sight of the dying samurai, orders all of the guns to cease fire, disregarding Omura's orders. A mortally wounded Katsumoto commits Seppuku with Algren's help as the soldiers at the scene kneel in respect.Days later, as trade negotiations conclude, Algren, though injured, arrives and interrupts the proceedings. He presents the Emperor with Katsumoto's sword and asks him to remember the traditions for which Katsumoto and his fellow Samurai died. The Emperor realizes that while Japan should modernize, it cannot forget its own culture and history; he promptly rejects the trade offer. When Omura attempts to protest, the Emperor silences him by threatening to seize the Omura family assets and distribute them among the populace.While various rumors regarding Algren's fate circulate, Graham concludes that Algren had returned to the village to reunite with Taka.

Storyline

• In the 1870s, Captain Nathan Algren (Tom Cruise), a cynical veteran of the American Civil War, who will work for anyone, is hired by Americans who want lucrative contracts with the Emperor of Japan to train the peasant conscripts for the first standing Imperial Army in modern warfare using firearms. The Imperial Omura (Masato Harada) cabinet's first priority is to repress a rebellion of traditionalist Samurai, hereditary warriors, who remain devoted to the sacred dynasty, but reject the Westernizing policy, and even refuse firearms. Yet, when his ill-prepared superior force sets out too soon, their panic allows the sword-wielding samurai to crush them. Badly wounded, Algren's courageous stand makes the samurai leader Katsumoto (Ken Watanabe) spare his life. Once nursed to health, he learns to know and respect the old Japanese way, and participates as advisor in Katsumoto's failed attempt to save the Bushido tradition, but Omura gets repressive laws enacted. He must now choose to honor his loyalty to one of the embittered sides when the conflict returns to the battlefield. — KGF Vissers In 1876--while still haunted by the massacres against the American-Indian tribes--the former Civil War veteran and now an embittered alcoholic, Captain Nathan Algren, is presented with an offer to train the inexperienced army of the Japanese emperor. However, when the untried Imperial soldiers are sent too early into battle against the seasoned men of the samurai leader, Katsumoto, Algren will find himself captured as a prisoner of war. Intent on knowing his enemy, Katsumoto spares Algren's life, only to see him, little by little, embrace Bushido: the dying code of the samurai. Now, Nathan faces an entirely new enemy. Will the last samurai find peace in his quest for redemption? — Nick Riganas Set in Japan during the 1870s, this movie tells the story of Captain Nathan Algren (Tom Cruise), a respected American military officer hired by the Emperor of Japan to train the country's first Army in the art of modern warfare. The Imperial Omura (Masato Harada) cabinet attempts to eradicate the ancient Imperial Samurai warriors in preparation for more Westernized and trade-friendly government policies, Algren finds himself unexpectedly impressed and influenced by his encounters with the Samurai, which places him at the center of a struggle between two eras and two worlds, with only his own sense of honor to guide him. — la pointe