Takeover(2026)

Independent
Release Date: May 8, 2026 | Limited

Guy Miller is on parolee and trying to rehabilitate his life, but circumstances bring him back to the dangerous Atlanta. And he must live up to his reputation as one of the slickest street operators in a deadly race against the clock.

Note: Distributed by Firestorm Entertainment
Releases

Original Release | May 8, 2026

Takeover

Current Showtimes

orround
  • Wed Aug 26
  • Thu Aug 27
  • Fri Aug 28
  • Sat Aug 29
  • Sun Aug 30
  • Mon Aug 31
  • Tue Sep 1

    Other Details

    Country of Origin: United States

    Language: English

    Summaries

    Storyline

    • Guy Miller (Quavo) once owned the Atlanta takeover streets - shutting down intersections, outrunning rivals, and living for the rush. Fresh out of prison and determined to build something different, he's pulled back into the chaos when a high-stakes job spins out of control. What starts as a quick play ignites a citywide chain reaction - rival crews circling, law enforcement tightening its grip, and powerful forces manipulating the night from behind the scenes. With no clean way out and nowhere left to hide, Guy is forced to navigate one relentless night across Atlanta's streets - confronting old loyalties, fractured alliances, and the version of himself he thought he left behind. Co-starring Billy Zane, Serayah, LaMonica Garrett, and Martin Sensmeier, TAKEOVER is brought to life through Trioscope's hybrid animation process, blending live-action performances with a graphic-novel visual treatment that heightens the action without losing its emotional edge. At its core, TAKEOVER is about identity - who you are when the lights come on, and who you become when the streets take over. — Trioscope

    Frequently Asked Questions

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    Fun Facts

    The film is brought to life through Trioscope's groundbreaking hybrid animation process, which merges live-action performances with a stylized graphic-novel aesthetic — the same technology the studio previously used for Netflix's The Liberator.

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