Ethan Hawke

A wide-ranging artist who seemingly can’t be contained to a single medium or expression, Ethan Hawke (birthname: Ethan Green Hawke) can certainly claim one of the most interesting careers in recent American film. Of course, film acting isn’t Hawke’s only territory: He has made his mark as a published novelist (he’s authored six novels, including a graphic novel), as a stage actor (he’s been nominated for a Tony), as a creator in the expanding cable-streaming universe, and his film work spans acting, directing and screenwriting.

Few American artists currently tick all the boxes that Hawke does, and his work has grown and developed over time: His recent performances, such as his role as a troubled priest in Paul Schrader’s First Reformed (2018), and his recent work as a writer-director, such as the expressive music portrait, Blaze (2018), are among his best.

Ethan Hawke’s breakthrough came early, with The Dead Poets Society (1989) with Robin Williams, and his subsequent work tended toward less commercial and more culturally-relevant, critically-acclaimed and indie-driven projects, such as A Midnight Clear (1992); Reality Bites (1994); the three-film Richard Linklater-Julie Delpy project (Before Sunrise (1995), Before Sunset (2004) and Before Midnight (2013)); Search and Destroy (1995); Andrew Niccol’s Gattaca (1997), with Uma Thurman; plus several additional works with fellow Austin-ite Linklater, including his Western, The Newton Boys ((1998), Waking Life (2001, with Keanu Reeves), Tape (2001, with then-wife Thurman), Fast Food Nation (2006), and most prominently, the intimate epic, Boyhood (2014), which Linklater and Hawke filmed over the course of a decade.

Ethan Hawke’s studio projects tend to be few and far between, but two of his most memorable were gritty cop dramas under Antoine Fuqua’s direction: Training Day (2001), opposite Denzel Washington, and Brooklyn’s Finest (2009) with Richard Gere, Don Cheadle, Wesley Snipes, and the late Michael Kenneth Williams, as well as Fuqua’s remake of The Magnificent Seven (2016), again with Denzel Washington, Chris Pratt, and Vincent D’Onofrio.

Hawke rejoined Pratt (as co-star) and D’Onofrio (as writer-director) for Lionsgate’s The Kid (2019), a retelling of the mythic duel between Pat Garrett and Billy the Kid. He also starred in the badly reviewed but high-grossing launch of the successful franchise, The Purge (2013). One of Ethan Hawke’s most intriguing moves has been two ultra-contemporary versions of Shakespeare with the adventurous independent filmmaker Michael Almereyda, Hamlet (2000), shot in a then-radical video format with Bill Murray, Liev Schreiber, Sam Shepard, Julia Stiles, Jeffrey Wright, Casey Affleck, Tim Blake Nelson; and Cymbeline (2014), with Ed Harris, Milla Jovovich, John Leguizamo, and the late Anton Yelchin.

Hawke’s loyalty to directors Linklater and Fuqua extends to Almereyda, with whom he also starred as radical physicist Nikola Tesla in Tesla (2020), and more recently, in Almereyda’s adaptation of Jonathan Lethem’s novel, Tonight at Noon, with Chiwetel Ejiofor, Lauren Ambrose, Connie Nielsen, and John Hamilton. Typical of his unpredictable choices, Ethan Hawke co-starred with Catherine Deneuve and Juliette Binoche in Hirokazu Kore-eda’s only French film, The Truth (2019), and joined Abel Ferrara for the Rome-set thriller, Zeros, and Ones (2021); then hatched a Zoom-shot version of Beckett’s Waiting for Godot with Wallace Shawn and John Leguizamo (2021); and then joined the brawny cast of Robert Eggers’ Viking adventure, The Northman (2022), featuring Alexander Skarsgård, Anya Taylor-Joy, and Nicole Kidman. 

A busy 2022 and 2023 proceeds for Ethan Hawke with such diverse projects as Marvel/Disney’s series, Moon Knight; Rodrigo Garcia’s drama Raymond & Ray, with Ewan McGregor and Sophie Okonedo; Scott Derrickson’s Black Phone, in which Hawke plays an evil, masked child abductor; the sequel to Rian Johnson’s smash hit whodunit mystery, Knives Out 2, with Daniel Craig, Janelle Monáe, Jessica Henwick, Edward Norton, Kathryn Hahn, Dave Bautista, Kate Hudson, and Leslie Odom Jr.; and Sam Esmail’s racially-tinged dystopian Netflix drama, Leave the World Behind, with Julia Roberts, Mahershala Ali, and Kevin Bacon.       

Hawke portrayed Broadway songwriter Lorenz Hart in director/producer Richard Linklater’s comedy-drama, Blue Moon (2025), written by Robert Kaplow, co-starring Margaret Qualley, Bobby Cannavale and Andrew Scott, co-produced by Mike Blizzard and John Sloss and released by Sony Pictures Classics after premiering in competition at the Berlin Film Festival, where Scott won the Silver Bear prize for Best Supporting Performance.

Hawke co-starred with Steve Zahn (who co-wrote and was also a lead producer) in director/co-writer/producer Rick Gomez’s American indie comedy-drama, She Dances (2025), with Sonequa Martin-Green, Mackenzie Ziegler, and Rosemarie DeWitt, and which launched at the Tribeca Film Festival.

Ethan Hawke revived his (largely off-screen) serial killer character, The Grabber, for director/co-writer/producer Scott Derrickson’s supernatural horror sequel, Black Phone 2 (2025), starring Mason Thames, Madeleine McGraw, Demian Bichir, Jeremy Davies and Arianna Rivas, backed by Blumhouse Productions/Crooked Highway and released wide by Universal Pictures after premiering at Fantastic Fest. Hawke co-starred with Chiwetel Ejiofor, Lauren Ambrose, Connie Nielsen, Rutger Hauer, Josh Hamilton, Dagmara Dominczyk, and Elizabeth Rodriguez in director/writer Michael Almereyda’s Tonight at Noon (date to be announced), his adaptation of the short story, Five Fucks, by Jonathan Lethem, and which was produced by Unison Films.

Hawke starred in the American/German early 20^th century Oregon drama, The Weight (date to be announced), co-starring Russell Crowe and Julia Jones under Padraic McKinley’s direction and which was co-produced by Fields Entertainment/Under the Influence/augenschein Filmproduktion, and then Hawke co-starred with daughter Maya Hawke in the Beatles-themed comedy, Revolver (date to be announced), directed by Andrew Stanton, written by Kate Trefry and produced by Jen Dana and Ross Jacobson.

Ethan Hawke’s work as a screenwriter ranges across indie cinema and television, including his two collaborations with Richard Linklater and Julie Delpy (Before Sunset (2004) and Before Midnight (2013); his film adaptation of his novel, The Hottest State (2006); an original screenplay based on the life of country artist Blaze Foley (Blaze); and as creator and screenwriter adapting James McBride’s novel, The Great Lord Bird (2021).

His non-fiction directorial work includes a documentary portrait of the great acting couple, Paul Newman and Joanne Woodward, The Last Movie Stars, which premiered at the 2022 South by Southwest Film Festival. It’s Hawke’s second documentary about acting: His first was a study of the late Philip Seymour Hoffman, Seymour: An Introduction (2014). As a producer, Hawke is expanding beyond projects in which he’s creatively involved, including Joe Wright’s upcoming drama, Stoner (date not set), starring Casey Affleck.